This is Barry

Bharat Krishna Swaminathan

Fight Club (1999) : Movie Plot Ending Explained

So, I’m going to break the first two rules of Fight Club. Fight Club is a masterpiece brought to us by David Fincher. The film stars Edward Norton, Brad Pitt and Helena Bonham Carter in the lead roles. It also stars Meat Loaf and Jared Leto in smaller but effective roles. You must watch this movie if you already haven’t. Like Now. So please do before you read further. Based on popular demand, here’s the explanation of the plot and ending of the film Fight Club, spoilers ahead.

Plot Explanation

The Crux

Ok, let’s get one thing out of the way. The Narrator (Edward Norton) and Tyler Durden (Brad Pitt) are the same person. Tyler is another personality inside the Narrator’s head. Now let’s walk through the story linearly.

The Narrator

The Narrator has a boring life and a day job that he hates. His house is filled with every piece of little furniture that there is to buy. It’s a lovely condo decked up to the brim with all the material things of the world. He has insomnia and hasn’t slept for 6 months. He visits his doctor and hopes for a prescription to get some sleep. He tries telling his doctor that he nods off and wakes up in strange places. He says he doesn’t know how he gets there. This is important because the Tyler personality is in formation here. The doc doesn’t pay heed, he doesn’t prescribe sleep medicines. Additionally, he tells the Narrator that real pain is felt by the guys of a support group on Tuesdays. Guys who have testicular cancer.

The Support Group. Bob

The Narrator lands up at the support group. The therapy breaks into a one-on-one session. This is how the Narrator meets Bob. Bob had been a champion bodybuilder. The chest expansion programme on late-night TV was his idea. I suppose all the steroids Bob was taking lead to shit and eventually Bob landed with testicular cancer. He had had his testicles removed. Then hormone therapy. He developed bitch tits because of a spike in his hormones. While all this info about Bob is not important, it turns out that the Narrator ends up crying while hugging Bob. This crying makes him sleep like a baby at night. The Narrator begins going to every other support group available. When he didn’t say anything, people assumed the worst. He is cured of his insomnia.

Marla Singer

Or so he thinks. Then Marla Singer (Helena) shows up to the testicular cancer group, smoking a cigarette. Not sure how the others don’t make out but she’s faking it. As the Narrator mentions, Marla is a tourist. Because her lie reflects upon his own, he is unable to cry anymore and is right back to being an insomniac.

The Narrator walks up to Marla and confronts her for being a liar. They then decide to split up the groups amongst themselves. They exchange numbers and go their ways. The Narrator goes about his life. His job is that of recall coordinator at a major car company. He still finds his life to be empty. He imagines his flight crashing every now and then – just so that there is some excitement in his life.

Tyler Durden

Just about now, we are shown Tyler Durden (Brad) pass by at an airport. About now is the point when the Narrator has fully created his alternate identity. The Narrator imagines Tyler sitting by him on a flight and they talk for the first time. All the time that the Narrator has been sleepwalking he has been another personality – Tyler, the soap manufacturer. Tyler lives in a run-down house which is waiting to be demolished. Tyler also has a part-time job as a projectionist. He also part times as a waiter at nights. Basically, the Narrator has a day job and unknowingly also has a bunch of part-time jobs as Tyler. This conversation and every other between the Narrator and Tyler happens inside the Narrator’s head.

Condo – Blown Up

The Narrator’s suitcase is held for security check. We can see him watch Tyler drive away stealing someone’s car. Tyler knows that he is only a personality inside the Narrator’s head. But the Narrator himself doesn’t realize Tyler is merely a personality. He sees Tyler as a different individual. Tyler has sabotaged the Narrator’s bags. In the wait for his bag, perhaps the Narrator sleeps a while. In that meanwhile, Tyler goes to the Narrator’s house and blows it up with homemade dynamite. The cops think that the gas in the kitchen may have leaked and the compressor of the refrigerator may have sparked to blow up the condo. The Narrator is obviously clueless at this point and considers it to be an accident and goes away.

Call To Tyler

From a phone booth, the Narrator calls Tyler. This conversation is not really happening over a phone call. It’s in his head. However, the number he’s calling exists. Tyler and the Narrator meet for drinks. Technically, only the Narrator is at the bar imagining Tyler. The Tyler personality smokes but the Narrator doesn’t. After this, the Narrator asks if he can stay at Tyler’s place. Tyler agrees. But before anything, Tyler asks the Narrator to punch him. He does. They break into a fight just to feel the rush. What’s happening here is that the Narrator is beating himself up. He’s only imagining a fight with Tyler. Towards the end of the film, they show the same scene with the Narrator hitting himself, no Tyler. See pic.

Fight

Beer

Birth of the Fight Club

They go to Tyler’s place. Note that Tyler says he’s been living there for about a year. So the Tyler personality got formed about a year ago. The Narrator has only met the Tyler personality recently. For some reason, the location where the Narrator fights Tyler (himself) starts attracting more people who want to simply fight. These fights are not with any personal vendetta, they’re just fights. These fights become regular. The Narrator is able to cope with life again, he’s efficient at work. He doesn’t bother with fighting with his insurance company or with finding a new condo. The group of fighters take up the basement at Lou’s. They call it the Fight Club. The rules of fight club:

  1. The first rule of Fight Club is you do not talk about Fight Club.
  2. The second rule of Fight Club is you do not talk about Fight Club!
  3. Third rule of Fight Club – Someone yells stop, goes limp, taps out, the fight is over.
  4. Fourth rule. Only two guys to a fight.
  5. Fifth rule. One fight at a time.
  6. Sixth rule. No shirts. No shoes.
  7. Seventh rule. Fights will go on as long as they have to.
  8. And the eighth and final rule. If this is the first night at Fight Club you have to fight.

Though we are shown Tyler giving this speech, it’s actually the Narrator giving it. See pic.

Rules

Fight Club Expands

Slowly, many people in the city become part of Fight Club, including many people from work. The Narrator is getting his face stitched frequently. At the hospital, there is a moment when the Narrator says “Sometimes, Tyler spoke for me”. This is the voice in his head.

Marla and Tyler

Then one day, Marla calls. The Narrator has left a forwarding number to his new dilapidated residence. She asks why he has not been going to any of the support groups. The Narrator is not interested, he doesn’t really like Marla, or so he believes. He leaves the phone off the hook and leaves. He comes back as Tyler and talks to Marla. He invites her over. Marla and Tyler get it on. She’s got no clue that she’s boogieing with a man with twin personalities.

Marla and Narrator

In the morning, the Narrator is surprised that Marla is in his house and asks her to leave. Then he has his talk with Tyler to understand what has happened. Soon Tyler and Marla are regularly boinking. The Tyler personality tells the Narrator to not talk to Marla about him. The reason he says this is because Tyler knows that he’s just a personality and talking to Marla about him would give up the twin personality situation. One night when Tyler happens to talk to the Narrator, Marla asks him who he was talking to. Obviously, because she doesn’t see anyone. Tyler just asks her to shut up.

Detectives’ Research On The Condo

The Narrator begins looking more and more messed up at work. His boss asks him to take the day off and come back clean to work on the following day. The detectives reach out to the Narrator saying that his condo was blown up by homemade dynamite. The Narrator is surprised but doesn’t care much. He’s moved on. However, he doesn’t know that it’s Tyler who has blown up his apartment.

Stealing Fat

Later that night, the Narrator (and Tyler) go to a liposuction clinic to steal the sucked out fat from the garbage. They get this fat to produce soap. However, the Tyler personality is also producing explosives without the knowledge of the Narrator.

Chemical Burn

There is a scene where Tyler throws a chemical on the Narrator’s hand. It hurts more than any burn and it leaves a scar. Point to note here – the Narrator is burning his own hand here. This is him embracing pain. See pic.

Hand Burn

Who’s The Boss

The Narrator (and Tyler) go out and sell the soap. At work, the Narrator leaves a copy of the rules to Fight Club in the copier. His boss finds it and comes to question him. The Narrator uses Tyler as inspiration and scares his boss away. Marla calls the Narrator asking him to come over and check for a possible lump in her breast. The Narrator thinks Marla considers him neutral (as compared to Tyler) but for her, she’s talking to just one person. He goes to check on her, she’s fine.

Bob At The Fight Club

Then the Narrator runs into Bob from testicular cancer. Bob mentions, without mentioning, that he is now going to Fight Club. The Narrator doesn’t say he started it but does mention that he is a member too. Bob mentions that the creator is a guy named Tyler. The Narrator is a little peeved because Bob doesn’t seem to know him as the creator. In the Fight Club, no one knows the Narrator’s name (including the audience). Everyone knows him as Tyler. Bob has never seen Tyler, he knows only the name else he would have connected it to the Narrator.

Mr. Lou

Fight Club begins to spread. More people join in spite of the first two rules. Finally, at Lou’s Tavern, Mr. Lou shows up wondering what is happening in his basement. Lou beats the crap out of the Narrator who is in the personality of Tyler. Tyler, impervious to pain, just lets his blood gush on to Lou’s face. Lou freaks out and agrees to let them have the basement.

Narrator vs Boss

Tyler begins to give out homework assignments. People are to start random fights and lose. They realize it’s not as easy. Most people do just about anything to avoid a fight. The Narrator is up for review at work. His boss is going to appraise him pretty badly. Just then the Narrator blackmails him saying that he knows the company uses parts that have failed testing. He demands that he be on the payrolls as an outside consultant to stay quiet. His boss fires him. The Narrator beats himself up screaming in pain, pleading for mercy. While he does this, he thinks “For some reason, I thought of my first fight, with Tyler”. This is obvious because his first fight with Tyler was with himself. His boss stands in disbelief. The people outside hear the violence and call for security. Just as security enters, the Narrator is on his knees begging for his boss to stop beating him. The Narrator gets a telephone, computer, fax machine, 52 weekly paychecks, and 48 airline flight coupons.

The Narrator (and Tyler) begins using the money and flights to expand Flight Club in various locations.

Store Clerk

One day, Tyler randomly enters a store and takes the clerk out to the back at gunpoint. He asks the clerk what he wanted to be when he was studying. The clerk says – a veterinarian. He says he gave up on that because it was too much school. Tyler threatens the clerk to pursue his studies or he’d kill him. Note in this scene, the Narrator and Tyler stand independently. That is how the Narrator sees things. In reality, it’s the Narrator holding the gun to the clerk’s head and talking to him as Tyler.

Us

Marla and Tyler continue to sleep together. The Narrator still meets her as a third person. She’s now confused with his “mood swings” (or so she believes). In conversation, the Narrator mentions “It’s totally different with us”. Here he refers “us” to be himself and Tyler. Marla is confused and she asks what he means by “us”. The Tyler persona emerges (in the basement) and gets the Narrator to end the conversation. Marla leaves. She doesn’t know about the Narrator’s alternate personality.

Project Mayhem

Now, Tyler begins recruiting a team. People come to the house and wait out for as long as it takes to get in. The Narrator at this point is not aware what the team is being built for. The team begins various acts of vandalism in the city. The police commissioner gets involved but they grab him and threaten to cut off his balls and he backs off. We’re later shown a scene which tells us that the Narrator was the one threatening the commissioner. See pic.

Cop Balls

Near Life Incident

The Narrator is not happy with what Tyler is doing. They go for a drive, Tyler is driving, the Narrator is apparently in the passenger seat. There are also two people from the team in the back seat. This is what is shown to us. In reality, the Narrator is driving and arguing with himself. Tyler admits to blowing up the Narrators condo. He stops steering the car and they meet with an accident. Tyler calls this moment a “near-life incident”.

Tyler Personality Is Taking Over

The Narrator wakes up and is unable to find Tyler. Now Tyler has started operating more and more while the Narrator is asleep. He meets Marla who’s come home. He tells her “Tyler went away. Tyler is gone”. Marla is pissed off and leaves after asking him to get medical help. She still thinks that the Narrator has weird mood swings but knows nothing about the split personality.

Bob Is Dead

Just then Bob is brought in. He’s dead. One of the missions of Project Mayhem fails when the police arrive and open fire. They shoot Bob in the head. Tyler has enforced that in Project Mayhem no one has names. The team wants to bury the dead body. The Narrator is sad that Bob is dead. He tries telling the team that this is a real person. That person does have a name and is now dead. Tyler has been running a tight ship and the team assumes that Project Mayhem now has a new rule – in death, the person gets a name.

I AM Tyler

The Narrator tries to find Tyler. He uses the ticket stubs to follow his (own) trail. The Narrator says “I didn’t know how or why, but I could look at 50 different bars, and somehow I just knew. I was living in a state of perpetual déjà vu. Everywhere I went, I felt I’d already been there”. The reason is that the information is in his head, just not easily accessible thanks to the Tyler personality. People begin to refer to him as Tyler. The Narrator quickly suspects what might be going on. He calls Marla and asks her if they had ever done it before. She replies saying “You f*ck me, then snub me. You love me, you hate me. You’re sensitive, then you turn into an asshole. Does that describe our relationship, Tyler?”. Boom! It his the Narrator finally that he and Tyler are the same person.

Magically the Tyler personality reveals himself in the room. The Narrator recollects many things he’s seen Tyler do, but now in the first person. He sees himself instead of Tyler. It is revealed to the audience too at this point that Tyler is only a personality. And Tyler knows that he’s a personality, no confusion there. Tyler then mentions that Marla knows too much and she needs to be “taken care of”. The Narrator faints. Tyler goes on and arranges for the destruction of multiple buildings.

conversation

Even The Cops Are In On It

When the Narrator wakes up, he realizes that Tyler has been busy. When he tries calling the building supervisor, he realizes that the supervisors are all part of Project Mayhem. The Narrator meets Marla and tells her that she’s now in danger thanks to him. He gives her some money and asks her to disappear. Next, he goes to the police and confesses to his terror network. But three of the cops are also part of Project Mayhem and as Tyler, he’s instructed them to cut off his balls if he does this. The cops grab the Narrator and commend him for his bravery and prepare to cut off his balls. They get interrupted by the fourth cop who is not part of Project Mayhem. The Narrator grabs a gun and makes a run for it.

Van In The Basement

He goes to a basement and finds a van with explosives. Tyler appears. They discuss 10 bombs that are going to go off in different buildings. The buildings are empty. This is all prepared and done by Tyler however the Narrator doesn’t want this. Tyler tries to confuse the Narrator but he’s still able to defuse the bomb. Tyler and the Narrator fight again. Tyler overpowers the Narrator and takes him to the top of a building. This is where the movie initially begins. Tyler has located Marla and she’s being brought up.

Ending Explained

The Narrator begs Tyler to stop. After a bit of arguing, the Narrator calms down. He realizes that there is no Tyler. He realizes the gun in Tyler’s hand is actually in his. We’re shown the gun changing hands. The Narrator points the gun at himself and says “Tyler, I want you to really listen to me OK. My eyes are open”. After this, the Narrator pulls the trigger firing a bullet through his cheek. But he’s tricked the Tyler personality into thinking that the bullet was fired into the brain. We see a hole in Tyler’s head and he falls to the ground and dies. This part is indicative of the Narrator vanquishing the Tyler personality completely.

The Narrator is profusely bleeding from his face. The team wants to get him help. He says it looks worse than it is. Even Marla is shocked looking at his face. He says he did it to himself. Tyler has taught him to endure great amounts of pain. He tells Marla “Trust me. Everything’s gonna be fine. You met me at a very strange time in my life”. They stand there watching multiple building blow up and fall down. While the Narrator couldn’t stop Project Mayhem, he was able to get rid of the Tyler personality. The Narrator has a new life path ahead of him. It will surely not be easy undoing the mess Tyler has done but he is still funded by his company and will need to rebuild his life.

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